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Two Hard Things

1 min read

Came across this little ditty today, via [Martin Fowler](http://martinfowler.com/bliki/TwoHardThings.html):

> There are only two hard things in Computer Science: cache invalidation and naming things.
>
> -- Phil Karlton

Personally, though, I prefer the corollary:

> There are only two hard things in Computer Science: cache invalidation, naming things, and off-by-one errors.

Too true.

 

The very first web page *ever* is still online @ http://info.cern.ch/hypertext/WWW/TheProject.html. How cool is that?

 

The 8th circle of Hell is for those who "reply-all" to emails.
The 9th is for those who "reply-all" to tell people to stop replying to all.

 

That moment when you leave a showing of Mad Max: Fury Road, and have to drive home... through a mall parking lot.

 

Some days, I'm proud to be a human - proud of our accomplishments and how far we've come as a race.

Today is not one of those days.

 

The Art of Authorship and Appropriation

1 min read

Christopher Sprigman [takes another look](http://www.bloomberg.com/news/articles/2015-06-17/richard-prince-instagram-and-authorship-in-a-digital-world) at Richard Prince's Instagram Exhibit, and makes some bold conclusions:

> Prince’s body of appropriation art is provoking a reassessment of the meaning of authorship at a time when ownership of creative works in our digital world is tenuous. Anyone with access to the Internet can take something made by others, copy it, change it, and distribute it at the click of a mouse. In this context, we can see that authorship is not a stable concept, but rather that it shifts as technology weakens the link between an “originator” and his work. You may like that or hate that; Prince is pointing it out, in the direct way that only art can.

As a would-be artist whose done some "appropriation art" myself (as well as a longtime fan of perpetual copyright-trolls, [Negativland](http://negativland.com)), I find this whole discussion fascinating. However, I have to admit that I'm more than a bit surprised at the sums he's been able to get for his "re"-work, and the implication that one man's copyright infringement is another man's high-brow art.

 

- Activate SSL/TLS on blog.

 

Attention drivers - turning right does not exempt you from stopping at "STOP" signs. That's what "STOP" means. Thanks.

 

An act of freedom, but for whom?

3 min read

On this most auspicious day, when the [USA FREEDOM Act](https://en.wikipedia.org/wiki/USA_Freedom_Act) passed through the Senate on it's way to president's desk, I spent the afternoon listening to some of law professors [Eben Moglen's](https://en.wikipedia.org/wiki/Eben_Moglen) excellent talks about [Snowden and the Future](http://snowdenandthefuture.info/index.html).

One of the things that I noticed he mentioned, which I don't recall hearing anywhere else, is our (the US citizenry) continued complacency about spying, as long as they aren't spying on Americans.

> Military control ensured absolute command deference with respect to the fundamental principle which made it all "all right," which was: "No Listening Here." The boundary between home and away was the boundary between absolutely permissible and absolutely impermissible—between the world in which those whose job it is to kill people and break things instead stole signals and broke codes, and the constitutional system of ordered liberty.

Of course, we all know how that turned out:

> Not only had circumstances destroyed the simplicity of "no listening inside," not only had fudging with the Foreign Intelligence Surveillance Act carried them into the land where law no longer provided them with useful landmarks, but they wanted to do it—let's be frank, they wanted to do it. Their view of the nature of human power was Augustan if not august. They wanted what it is forbidden to wise people to take unto themselves. And so they fell, and we fell with them.

Nearly every time that the USA PATRIOT Act is demonized in the press (even the leftist press), it seems to only be because the NSA dared to spy on *us*. But, shouldn't we be questioning why they have to have such a large net at all, irrespective of the national boundaries?

Or, as professor Moglen so succinctly put it (emphasis mine):

> The empire of the United States, the one that secured itself by listening to everything, was the empire of exported liberty. What we had to offer all around the world was freedom—after colonization, after European theft, after the forms of twentieth-century horror we haven't even talked about yet—we offered liberty; we offered freedom.
> ...
> It is, of course, utterly inconsistent with the American ideal to attempt to fasten the procedures of totalitarianism on American constitutional self-governance... Partly, as I shall suggest next time, because freedom is merely privilege extended unless enjoyed by one and all. But primarily because *there is an even deeper inconsistency between American ideals and the subjection of every other society on earth to the procedures of totalitarianism*.

Something to think about the next time someone talks about "freedom".

 

Half-Trak and The Destroyer

The once great Tonka came out with a line of "Mad Max" knock-offs called "Steel Monsters" in 1986-7, and I'm proud to say that I had one of these (well, either I did or my brother did, while the other one had "Metal Face" and his ride, "The Masher").

Image and info from: http://www.toymania.com/334archives/steel/

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